Shape of the Line, guest curated by Amanda Schneider, opens at Fair Folks in New York on Saturday, March 12. We were such fans of Amanda’s fine art salon in Williamsburg, Dunham Place Salon, that we asked her to hop the river and put on a show for us, in Manhattan. In “Shape of the Line,” she has brought together work by emerging and established artists, across a variety of media, to explore the dynamic nature of the line. The work presented demonstrates how line can be more than a delineation of form: it can be a point in motion, it can be an illusion, and it can be the subject itself. Please join us at the opening reception on March 12, 5-8pm, or any Saturday, 1-6pm through May 7. And, you can purchase a catalogue here. Here’s a sneak peak of a few of my favorite pieces that will be on view:
Just last week, life for me was all chicory and beignets, short sleeved shirts, leisurely walking and kind-folk talking, strewn with beads and covered in purple-yellow-green glitter sprinkles. My trip to New Orleans saw me at Tim Cavnar’s opening reception at the start (pictures can be seen on Facebook) and ended on a sweet note with Luke Winslow King and lovely Esther Rose crooning in the courtyard.
Being back in New York is a bit like a slap in the face, what with the fresh blanket of snow we got on Sunday night.
Right? Easy to sympathize when you consider that contrast. Until it warms up a bit in the North, I’m just going to hibernate and work on my Mardi Gras costume inside (uh, anyone want to feed me some ideas? I’m a little lost on that front), while thinking happy thoughts of Springtime sun (and more king cake).
Until next time,
In following up on yesterday’s Valentine Video series of classic songs, and classic Country style tips, and classic video art direction, courtesy of thee Tracy Lawrence, and his handlers which, to quote Lady Gaga, “mastered the art of fame” south of the Mason Dixon during the wonder years of my youth, today, we present perhaps a more “on brand” documentation of style and music, and all the rest. By “all the rest” I am mainly referring to this film’s inclusion of bocce, a game we will not STOP talking about.
The film, The Talented Mr. Ripley, as everyone knows, is filled with the sort of aesthetic eye candy and hilarious quotes (“Wild horses couldn’t drag me back to New York”) that has spawned a zillion mood boards, Junior years abroad, and blog posts. So why not one more post, especially with Valentines day, er, yesterday.
Anyway, here it is, with a day late love song, and so many style tips.
I am so depressed now. The song, sure. But those Pictures of Italy. Yeesh. In any case, there is no shortage of Jazz, and Vespas, and warm weather in New Orleans. If only there was somewhere to play bocce.
ps. “Who wears a corduroy jacket in Italy?”
I don’t know, is this the greatest album cover ever? You tell me.
There is something about Valentines Day (and Fashion Week) that reminds me of one of the greatest singer songwriters in American (Country) Music (mid 90’s) History, Tracy Lawrence. My personal favorite songs of his are “Alibis” and “Sticks and Stones.” However, in terms of music videos, nothing compares to this trio, all from the classic, untouchable, “I See it Now” album. Please watch in their entirety. This is really special, and proof that they really “don’t make em like they used to.”
Pretty amazing art direction, eh? Upon further investigation, I realized that these three are not the entire story. Anyone who can find the missing parts to these videos, ie sequels, prequels, etc, and be the first to send them to me, I will send one of our super groovy t-shirts.
Happy Valentines Day,
We have just been installing a new exhibition of paintings in the New Orleans space that we are so very excited about. They are by Timothy Cavnar, a new to New Orleans artist. Anthony and I went for a studio visit a few months ago and were instantly blown away by the beauty of these works. Mostly they are large canvases, beautiful florals cascading across them in large sweeping swaths, yet somehow the hand is so delicate they nearly straddle the line between fine art and poetry. It is not only the floral color palette that makes them so appealing, but the incredible use of the white space of the canvas, the sense of gravity (or sometimes the staunch rejection of gravity) in each piece, and moreover, the gravity of the subject matter. With the cycle of life an inevitability, each piece seems a tribute to a winged or hoofed life gone, a portrait of a being going into a new state, and an acknowledgement that time goes on, all in one. Suffice to say I would love to have either one of Tim’s smaller watercolors or large canvases in my own home (perhaps one day!), but until then, I’m going to count myself lucky to work among them while they’re hanging in our space.
Of course, being such a fan, I’d ask Tim the series of questions we’ve been featuring. A chance to get a look at the thought and process behind much-loved work is always a treat:
What’s inspiring your work these days?
Right now I’m about to start a new series of work which is inspired by the city of New Orleans. I’ve lived in a lot of cities, but find this one visually and conceptually exciting in a way I haven’t experienced before. There are so many strange landscapes here, from overgrown lots next to candy colored houses to highway overpasses twisting through the city and skimming over swamps. An epic battle against nature is on display everywhere, and in many places here nature is clearly winning. It’s those forgotten scenes we see everyday that I’m interested in exploring.
Have you seen your work in new contexts, used or seen in ways you hadn’t imagined for it?
Since this work is so simple and straight forward, taking it out of context is difficult. In retrospect though, I should have anticipated all the Bambi jokes. I had never even considered that issue when I started painting dead deer.
Does your material usually come before form or form before material? How about function before form or form before function?
Form is certainly the biggest concern in these pieces. They are all attempts at creating a singular image that can be viewed independent of its process. While materials and function all relate to creating a piece, its final appearance is always my foremost concern.
What is your greatest challenge as an artist? Most joyful challenge?
Though making work is stressful, it’s by far the most enjoyable part of being an artist. For me the greatest challenge is all the things an artist has to do outside of creating art. Galleries, buyers, marketing, grants and applications, the actual work of having a career, those are the things that keep me up at night.
If you could collaborate with any artist living or dead, who would it be?
What is the quality you are most attracted to in art or design?
I’m a sucker for beauty in art. It’s not necessarily always my favorite quality, but it’s certainly one I consistently find appealing.
What is your most prized possession?
Tough question. I’ve moved around a lot, so at some point almost every object that had any value (sentimental or financial) was either put on the curb or stored in someone’s basement and forgotten. The one item I value most is probably my computer, not so much the physical machine, but the data that’s stored on it. The record of everything I’ve done is probably more important that anything I own.
To wrap this up, want to wax poetic for a bit about whatever strikes you? I know you’re working on a pretty cool project right now…
Yes, the most exciting thing that’s happening right now is creating my studio space. I was lucky enough to fall in with two other guys who are building out a large warehouse in New Orleans. When we first took over the space it was completely bare, but things are slowly starting to take shape. I’m certainly not in charge of the operation, but in the end we’ll have a multi-purpose shop offering everything from custom furniture to design services to band recording. My studio is already housed inside the shop.
The whole plan is the kind of large scale project that everyone I’ve known has always wanted to be involved in, but never had the time or money. New Orleans really makes it possible by being far more affordable than larger cities like New York or San Francisco. The hustle just to afford the cost of living isn’t as much of a concern here, allowing resources to be allocated in far better ways. Though the scene is certainly smaller here, it’s also more accessible and fun than anywhere else.
Thanks to Tim for this peek at his creative process. His studio space really is the stuff that people dream of – so much space and potential for new things to develop.
Please join us for Timothy’s opening reception of his solo show “Permanence” on Friday from 7-10. If you can’t make it, visit any time during our open hours, or come to one of our other events.
Until next time,
All these exciting things are happening in New Orleans. All these exciting people are bringing all these exciting gifts into our space to share with others. Here is one such, courtesy of Michael Robinson Cohen, his “Plank Vanity.”
Photo credit – Miss Netta Ruth.
It should be noted, that as beautiful as this object is, it clearly adds about ten to twenty pounds.
Have a great day,
Some of these very cold days inspire major hibernating urges, and until the mercury rises and jackets are worn more for decoration than out of desperation, we’re all trying to busy ourselves indoors. I can usually find ways to feel busy, truly busy, with no time for fun and games. Truth is, all work is fun and fun is work these days, one and the same, I’d rather be working, that kind of thing.
But, I’m thinking I need to go see a movie one of these days. It’s one of those things people do. Then, after having seen it, they talk about it. Movie viewing can be great fodder for small talk, or the stuff of deep discussions and cultural analysis.
It can also add to your ‘library’ of inspiration, and y’all have to know how I feel about inspiration if you’ve been reading for any length of time. My personal film library is rather tiny. The need for one, physically, isn’t so pressing these days as movies stream into your home at the click of a button. But I have a few that I’ve either watched over and over again until they are but shreds of DVDs or that I watched once, purchased to add to the library, and set daintily upon a gold-leafed bone inlaid pedestal for idolization.
My library includes (but is not limited to) Me and You and Everyone We Know (which I think can do no wrong but I know there are the Miranda July naysayers); Amelie (overdone by this time?); The Snowman (an amaaaaazing animated holiday film from my childhood with only classical music for audio); The Saddest Music in the World (wonderfully bizarre); Ghost World (one that I could watch over and over and over again); and some little gems like… ahem… Bridget Jones’s Diary and Legally Blonde (why do I bother admitting this!? Full disclosure for you folks). I’d love to add Dead Man and Orlando to my array of fancy DVDs on Pedestals, but I can’t justify it when the pedestals are so expensive and I’m saving up for a nifty camera. Plus, Netflix.
Allll of this to say, I’m thinking when I go to the theatre, probably this weekend, I’m thinking I’ll see Blue Valentine. Michelle Williams is very special to me because she and I used to share a block in Brooklyn, and before that she and I used to share an hour or so together each week when I watched her on Dawson’s Creek in high school. Are those not sound reasons for seeing a film?
Do you have time for a little small talk? What movies have you seen recently? Were they good?
Until next time,